from the Ocean to Tuvalu

Rising high from the ocean below, the elevated “Emergency Land” proposed by South Korean architect Jinman Choi and graduate student Ji Yong Shim is a structure topped by skyscrapers that serves the vital cause of housing the 11,000 residents of the Tuvalu Islands – islands that may soon be swallowed by the sea.

The nine islands of Tuvalu, eight of which have human residents, are located in the Pacific Ocean near the equator. Two of the islands are already experiencing significant flooding, and with elevated sea levels submerging the islands’ lands another 0.5-0.6 cm a year, experts fear the islands could completely disappear within the coming decades.

Choi and Shim are especially concerned with the residents of the islands, as they seem to have few options for escape at this point. The two explain that, currently, nearby Australia has not opened their borders, and New Zealand only permits 75 immigrants from the islands per year, As such, new solutions must be crafted for Tuvalu residents, and quickly. Their solution is to build grand, elevated landmasses anchored by bases on the seafloor and topped by massive skyscrapers to house the 11,000 residents needing new homes. The “arch-designed core” will allow for the balance needed to support the expanded mass of “land” above. The funnel-shaped platforms can be recreated continually to expand the amount of land available. This socially responsible design brings innovation and attention to the needs of a people whose land may, sadly, soon be forever submerged.
 

a pinPlant WebLayout

Pin-plant is an installation designed by Stewart Hicks and Allison Newmeyer from Design With Company like a series of experiments – an examination and interpretation of humanity through anthropomorphism and color. Finding the fantastic in the systematic. What do our desires to personify computer parts express about us? It all began with an old computer motherboard. At first it was a city scape, then a vast mechanical microcosm, with circuits leading this way and that- a garden of forking paths if you may- immediately immense and endless. Aggregating in intense exchanges of information- where color became landmark and organization revealed a scale of part to whole most basic in its arrangement, yet complex in possibility. It’s efficiency a testament to its time. Technology of foreign pieces. But what did we want to do with it? We wanted to give it life to understand it. Aestheticize it until it could be more than a commentary on the mechanics of things. Through sculpture, the conventional exformative connections are disconnected.
Geometry reminiscent of Buckminster Fuller is structurally efficient until it is not. The 5000 buttons are each an self-sufficient display unit, complete with a devices for hanging and protection; at once a painting, one pixel of digitally sampled color, and an entire portable museum. They are minor figurines, used over and over again to compose the major chimerical figure – an encrusted scape of colorful scales. Each one is hand made and unique yet part of community.

 

to use a Joshua Tree

Using the desert near Joshua Tree as a backdrop Ball-Nogues Studios have installed what they call a synthetic earthwork which hides a swimming pool inside. The project is part of High Desert Test Sites, an art project which “generates physical and conceptual spaces for art exploring the intersections between contemporary art and life at large.” The parametric bowl Yucca Center is 30 feet tall and egressed by ladder. Visitors transverse the swimming hole, which bottoms out 10 feet below grade, by a series of rock climbing hand holds.

The wooden frame was re-claimed from a previous art project’s form work which was originally intended to be supplies for this piece, something the artists termed as “cross-designed”. The plywood is stacked and cut in sections, slotted into the ribs to create a bowl. Plywood strips skin the interior, like a ship hull in reverse.
Inspired by both aesthetic land art and abandoned swimming pools and buildings of the Southwest the piece is also very much about the human experience. Open on October 15th and 16th 2011 the work was a playground for a lucky few who spent an afternoon playing in the temporary oasis. The piece is abandoned to the elements.

 

Academy of Oscar...in Sciences

The Academy of Sciences for the Developing World -Arab Regional Office (TWAS-ARO) holds its 7th Annual Meeting on 28 and 29 December 2011, at the BA. The Meeting will be preceded by a seminar that intends to bring together leading experts to discuss challenges and opportunities of water, nuclear and renewable energy in the Arab region.TWAS-ARO members and young affiliates, along with other eminent speakers, will provide an opportunity for a wide range of fruitful discussions and solution-oriented exchange of ideas regarding the future of water, nuclear and renewable energy in the Arab World. TWAS-ARO Regional Prize winner, in addition to TWAS-ARO Young Affiliates 2011 announcement, will also take place during the Meeting. TWAS-ARO will also sponsor 10 outstanding young researchers, from different Arab countries, to present their project/research on water, nuclear and renewable energy.

to Test the Plants

Nanjing Lab is a vegetation laboratory located in the historical district of Nanjing. Different from the traditional vegetation lab, which focuses on the attributes of the plants themselves, the purpose of the Nanjing lab is to test the plants’ behavior inside Nanjing city, for instance, the plants’ reaction to the the city’s polluted air and dust.

Therefore, the design focuses on being able to control the plant’s interaction with the outside. In order to do this, different plant species are put into separate containers which protrude from the main volume of the building to the outside environment. The containers provide the ability to let sun light come through and control the amount of air that passes through. At the same time, the form of the landscape around the building creates different levels humidity and solar conditions around the building, allowing the containers to interact with a diverse environment.
In the center of the lab, there is a central robot arm that is able to take out the core of the container and place them into storage for further research. The control room of the robot’s arm is located on the south side of the building.  The windows of the control room allow free view of the central robot room and the exterior.

The two big C channel steel beams are the main structure of the Nanjing lab. They lift the main body of the lab off of the ground to provide space for the underside plant containers. In between the C channel steel beams and the body of lab space is the hydraulic mechanical system that absorbs the impact of the structure from movement of the central robot arm.

Architect: Yaohua Wang Architecture
Location: Nanjing, China
Structural Engineer: Organization Group
Client: Nanjing Xiaguan district goverment
Program: Vegetation lab
Size: 200 m²
 

Archipelago

Acknowledging that the city is nothing but the product of a myriad network of interactions and emergent flows, re-organized and regulated by a highly evolved system of pattern recognition, the project designed by Gijo Paul George from Studio Toggle aims to find urban solutions for the city of Cagliari in Sardinia, Italy.

Taking fields, nodes and agents as the building blocks of urbanity, the relations and perturbations are mapped, giving rise to generative patterns. Based on this logic, the project strives to find a balance between adaptive non-programmed spaces and typological specificity. The site, SantÉlia has the notoriety for being the badlands of Cagliari. Often this image is exaggerated, contributing to the resident’s hostility to the city and vice versa. This spectacular stretch of waterfront land towards the southern tip of Cagliari happens to be disconnected from the rest of Cagliari due to massive infrastructural figures, which creates canyons in the urban fabric, also due to the negative ramifications arising from a dysfunctional social housing project, from 1970’s.

The project had specific goals including, reconnecting SantÉlia to the rest of Cagliari by colliding the island grids, bringing the city closer to the sea and thus developing the waterfront, revitalizing the social housing and improve conditions and to develop strategic nodes into multimodal urban ecologies. The focus was on de-canyonizing the fabric and overlaying the terrain with a new urban organism, which irrigates the territory and bridges the programmatic archipelago.

Rediscovering the spatial matrix of field conditions as described by Stan Allen, and further elaborated by Keiichi Matsuda in his ‘Cities for Cyborgs’, an emergent matrix of potential (pheromonal) fields acts as the substrate on which an agent-based system is populated. The constant material and information feedback between the to systems gives rise to generative patterns and densities which in turn mutate into inhabitable spaces and nested typologies, there by creating the fabric.

The project in itself becomes a discourse in how the intuitive and emergent processes can work together to produce an urban fabric, and occupy it at the same time, not losing the balance between adaptable emergent spaces, and the specific typologies which seed the territory.

The Beautiful and The Horrific

The Concert hall designed by Isaïe Bloch / Eragatory balances on a fine line between sculptural architectural objects and functional monuments, between meaning and use and between the beautiful and the horrific. While the architectonic aesthetic may seem to revolve around a straightforward gimmick, the work is much richer than that. The more you look, the more you realize how many levels it operates on, from its allusions of architectural ruïnification/collapse as in the romantic era to its connections to our current culture of remixes and mash-ups.

Each successive component of the design layers the pragmatic with an evocative spatial experience obtained by degeneration of architectural primitives in stead of the aggregation of complex freeform geometries, which would lead to very linear repetitive spatial experiences. It reorients the visitor toward a new architectural perspective and circulational/functional logics.

A way of entering into the subject of the exclusive high class Vieanese theatre spectator or his opposite looking for a free platform to spread his word. While this “fictional” concert hall is visually divorced from reality, it gives a sly commentary on the current state of architecture. After leaving this page and stepping back into the build environment, it shocks how much the building across from you, with its cheap-looking touches of faux masonry or abundant technical supplies, starts to evoke similarities with this so called “horrific, dystopian, retro past aesthetic” concert hall.

blue Curacao

Supported by the Curacao authorities nad their entrepreneurs, the project for a major touristic attractor was designed by Rotterdam-based ONL Studio. It is supposed to host the future operator for Galactic Travels and offer a venue for international scientific space ressearch. The landmark building will be built as a spaceship, applying maritime and aviation techniques on the building body.

The shape and material of the building evoke the power of rocket engines, along with lightness of the Spaceship glider swirling down to Earth. The visitor experience is articulated so it resembles the one of astronauts, making the 100 km trip into outer space. The public trajectory leads downwards, swirling down like the Spaceship glider does. The levels grow bigger each step, relating the Experience of space travels to always larger environmental and universal subjects: from the International Space Station to Spaceship II, from the Earth’s atmosphere and global climate change to the expanding Universe, and finally down to themes related to the deep sea space.

The Spaceport is designed to attract both the scientific community and tourists. The design and the styling of the SXC spaceship is intentionally related to state-of-the-art developments in automotive, naval, aerospace and environmental design.

a Silk Network

Italian architectural studio OFL architecture received the first prize in the international competition “New Silk Road Map” that aims for the recovery, reinterpretation, and reconfiguration of the Silk Road – a network of commercial, cultural, and religious paths that connected the Eastern and Western civilizations for more than 2000 years.

OFL’s project description:

Silk Road Map Evolution (SRME) is a project born out of the will to revive and regenerate the current layout of the silk road. This is to be accomplished by means of a social, economic, political and architectonic redevelopment of the historic stretch of the road that once belonged to Marco Polo.

The project deeply integrates infrastructure with architecture and by means of a new railway system functioning on gravitational platforms follows the trail from Venice to Xian, Shanghai and Tokyo, extending its “arms” to create new infrastructures, commercial services and residences. A wiry MOTOR CITY extends itself to help out urban realities and struggling economies. The (linearly) diffused city runs into other micro-cities in such a way that the greater entity hooks onto the smaller ones to help them survive and, like an economic pump, extends life from the greater nodes to the smaller and poorer extremities. The 15,000 km of the silk road shall be broken up by bionic towers which will represent the centers of new urban sprawls. The new silk road line will also serve as the GENERATOR of other paths that will branch off of the main course of the road to develop a larger economic armature.

a Fantasy Mermaid

A young girl learns she’s half mermaid and plunges into a scheme to reunite with her father in this entrancing, satisfying tale that beckons readers far below the waves.

For as long as she can remember, twelve-year-old Emily Windsnap has lived on a boat. And, oddly enough, for just as long, her mother has seemed anxious to keep Emily away from the water. But when Mom finally agrees to let her take swimming lessons, Emily makes a startling discovery — about her own identity, the mysterious father she’s never met, and the thrilling possibilities and perils shimmering deep below the water’s surface. With a sure sense of suspense and richly imaginative details, first-time author Liz Kessler lures us into a glorious undersea world where mermaids study shipwrecks at school and Neptune rules with an iron trident — an enchanting fantasy about family secrets, loyal friendship, and the convention-defying power of love.

Annotation
After finally convincing her mother that she should take swimming lessons, twelve-year-old Emily discovers a terrible and wonderful secret about herself that opens up a whole new world. .