Δευτέρα 29 Αυγούστου 2011

art in a Railway

IDEA Studio is a research program for designers, pursiung innovative projects that push design technology to its limits. Its residents have access to latest technology and coaching from Autodesk’s experts who can help them apply the latest technology to accelerate their projects. Shajay Bhooshan, lead researcher at Zaha Hadid Architects, used Autodesk Maya and Autodesk Algor Simulation software to create operative pathways from physically-based simulation designs to structurally sound architectural models. Bhooshan created a plug-in for Maya to visualize stresses in real-time, enabling him to integrate structural feedback into the form-finding process with minimal disruption to the creative experience. To test out the workflow, Bhooshan and his colleague, John Klein, created a case study design of a train station. Using 3D printers in the Autodesk Gallery, Bhooshan and Klein printed the 18 components of the train station design, which fit together to create one fluid form.

The Bangalore Railway design explores operative pathways from physically based simulation design to structurally sound architectural models utilizing specific software and computational techniques. Inspired by analogue architectural design methods that were established in the 19th century by architects like Antonio Gaudi the design creates a digital method to unite playful architectural form-finding with qualitative structural analysis in the early stages of the design process.

 

Πέμπτη 25 Αυγούστου 2011

a Modular, a Parametric

The design for a modular, deployable, and adaptable bridge using parametric strategies and digital fabrication methods was developed by studio BÄNG. The design was conceived using the following rules:  Four data points were established at the beginning, middle, and the end of the bridge. These 12 parametrized points give the opportunity to steer the crosssection of the bridge at three important areas. Based on these points the defi nition creates three frames one for each end of the bridge and one in the middle.

All frames get connected and the resulting four-point polylines triangulated to get the base of the load bearing framework for each side of the bridge. The triangles get offsetted according to the sun and then moved in direction of their normals. By lofting the two resulting curves a rigid and complex looking shape occurs.

The most important benefit of parametric design and digital fabrication is the optimization of the whole design process. Modularity, the optimization of the construction time as well as saving material were the main goals.

All angles in the construction are measured to give them to the electronic press brake. After getting the laser cutted and electronical press braked elements from the factory the only thing the construction workers have to do by hand is to close the 16 elements by screws. After closing the elements the modules are ready to be transported up to the site where the bridge shall be situated. Two workers are able to connect the parts with screws in less than 2 days.

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Δευτέρα 22 Αυγούστου 2011

a Library upon Pilotis

A proposal by Budi Pradono Architects for the Stockholm Public Library is based on a suspended slab set upon two large transparent pilotis. The simple conceptual form provides multiple benefits, anticipating a complex program to accomplish the difficult task for a contemporary library as both public venue and research retreat.

The library’s two collection floors are elevated to provide a more welcoming street front with a large plaza forming at the base of the building. The transparent columns contain various public spaces to engage group activities such as studios, an auditorium, restaurant, news room and reading areas as well as a office. The open view shed protected by the large mass above provides an open and compelling space to socialize in, acting as a communications hub for the city.

The main two levels stretch out over the site and contain the main book collections. Reading areas punctuate the floor plates, dipping below and opening to the ceiling where daylight glazing is incorporated into the roof deck. The reading pod’s oval shape contrasts with the monolithic slab, creating an informal area for research and immersion. The various apertures between the two floors also are intended to stimulate knowledge exchange among the library’s varied collections.

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Τρίτη 9 Αυγούστου 2011

a Landscape for Rosario

The New York based EFGH Architectural Design Studio designed a recreational landscape for the industrial area of Rosario, Argentina. The Studio’s work focuses on responsive design concepts and building techniques that challenge the conventional notions of program, material and context. The Billboard Park illustrates the unconventional strategic approach in designing public spaces.

The landscape engages both the horizontal and the vertical, in order to provide optimal use of open public spaces as well as to create an interactive structure offering various views of the Paraná River. Part of a public/ private partnership and constrained to a triangular plot of land set away from the water’s edge, Billboard Park rises up to form a vertical landscape, with its green side facing the river and its asphalt side facing the highway and neighborhood beyond.  A lightweight, soil-free growth medium is used to generate a vertical garden across a concrete structural honeycomb. The open structural pattern organizes both the horizontal and vertical planes and provides a number of niches as well as a dynamic visual icon for Rosario.
The surrounding development is a public/private venture focused on revitalizing the Rosario waterfront, and is currently under construction.

 

Δευτέρα 8 Αυγούστου 2011

history in Tian'an Men

The National Museum of China is located on the east side of Tian'an Men Square in Beijing. It is the largest comprehensive history museum in China. Through display of both material and non-material collections and exhibits, it narrates the history created by the ancestors of the Chinese people.

The National Museum is built on the twin foundations of the former China History Museum and the former China Revolutionary Museum in 2003. The new museum is currently undergoing expansion. It has extremely rich collections and the excellence of its exhibits and depth of its research are second to none.

The National Museum holds the country's most important historical objects. Through China's History Exhibition, these are shown to visitors from both inside and outside China, to display the long history and shining civilization of the Chinese people. At the same time, the museum undertakes education projects, archaeological excavations and scientific research.

The earliest items on display here are the teeth of Yuanmou Man from Yunnan Province, dating back some 1,700,000 years. The most recent are historical artifacts from Xinhai Revolution of 1911.

The Early Society Exhibition starts with ancient inhabitants (around 1,700,000 years ago to 10,000 years ago), then clan society (around 10,000 years ago to 5,000 years ago) and the dawn of civilization (around 5000 to 4000 years ago). In :he ancient inhabitants' section you can see China's earliest 'sapiens' called Yuanmou Man, the slightly later Lantian Man, Beijing Man, Jinniushan Man, and also Shandingdong Man. The last had already entered the homo sapiens period. These ancestors wrote the first page in the chapter of China's history. Stone tools that they created, the seeds they collected, bones of the animals that they hunted are all documented in the exhibition cases. The bone-made needle and the teeth and shells that the Shandingdong Man used for jewelry indicate that by his time, mankind had already begun to sew clothing and have an awareness of aesthetics.

From around 10,000 years ago, mankind began to polish stone tools, make ceramics, weave cloth, and engage in other handicrafts production. The distribution of clans also began to be more widespread. In the exhibit, rice kernels from some 5,000 years ago, bone implements of some 7,000 years ago, and the model of a matriarchal village unearthed in Shaanxi Province from some 6,000 years ago can be seen. From around 5,000 years ago, agricultural techniques were well advanced and besides being able to provide for his own basic needs, man was able to produce a certain surplus. This led to a system of private ownership and the development of classes. At this time, special handicraft industries appeared, also the rudiments of writing, cultural arts and religion. In the exhibits, one can see important ritual implements of the period made from stone and jade.

Ading with the shape of the big broad-mouthed receptacle of the Western Zhou dynasty unearthed in Mei County,Shaanxi Province A Four-sheep zun of the Shang dynasty.
The slave society was mankind's first class society in history. This period is divided in the exhibition into Xia, Shang, Western Zhou, and Spring and Autumn periods and one that covers all tribes from Xia to Spring and Autumn.

The Xia Dynasty was the first kingdom in Chinese history. Its center of ruling power was the northern part of what is today Henan and the southern part of Shanxi provinces. The Bronze jue excavated from Yanshi in Henan, and the ceramic cup and so on indicate that agriculture was a primary economic activity in the Xia period, while the manufacture of bronzes was already quite developed.

The Shang period was a glorious time of Chinese bronze development. Craftsmen were able to cast very complex shapes and to create highly refined and beautiful inscriptions and ornamentation. The heaviest bronze piece discovered to date is on exhibit here; called the'Simuwu Ding,' which weighs 832.84 kilograms. A four-ram 'zun and other representative Shang dynasty bronzes are on display. In addition to bronzes, the manufacture of ceramics, lacquer-making, weaving, jade carving and so on also achieved a certain level of accomplishment. The early?porcelain zun excavated at Zhengzhou in Henan is one of the earliest pieces of porcelain found in China to date. Another notable achievement of the Shang dynasty is the ancient script known as jiaguwen, or ancient writing on the shoulder?blade bones of oxen and the front plates of tortoises. This writing began the construction of the basic shapes that later developed into 'Han characters.

Chinese bronze-making technology flourished during the Western Zhou period, following the Shang. In terms of political organization, China followed a system of divided feudal authority, and a severe system of rites and also punishments was instituted. The ceremonies or rites were used to moderate relations within the ruling class, the system of punishments was used to control and oppress commoners and slaves. Items on display give evidence of these things.
 

Κυριακή 7 Αυγούστου 2011

the Capital HIM

[Ay]Architecture is an international design studio committed to cutting edge research and experimentation, across scales. It engages with multidisciplinary fields from fashion design, architecture to landscape urbanism, in both theoretical and professional praxis.

The Capital HIM project is inspired by Nicola Formichetti’s stylistic work through Lady Gaga’s and Rick Genest’s fashion personas. The emerging esthetics in fashion is translated into a spatial condition, retaining the main qualities; it is alienated, urban, volumetric and at times vulgarly carnal (no pun intended). The network of theoretical connections meshed with the space of the given site (Walker Street, NY) generating the three-dimensional spatial condition per se. This allowed a series of control points and lines that would parameter the starting point to the physical substance. An actual morphology is created by narrowing down the possibilities of physical connections. The organic appearance of the project and its arbitrariness reflect the whimsical nature of the fashion at hand, robust and sensual at the same time.

The designer’s pop-up store proposal starts to perform as a multi-tasking machine embedded with a myriad of performances. Its protuberances behave as clothes hanging devices while the tattoo skin-like surfaces operate as multi-layered apparel devices. The whole project transforms onto a catwalk scene or launching parties for Nicola’s clientele and friends.

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Σάββατο 6 Αυγούστου 2011

an ArtificiAL island

Designed by architect Aleksander Krasinski, the project is a floating habitable structure which would be able to endure future changes of global climate. The idea for the building could be interpreted as an answer to the problems closely related to globalization and the human impact on the environment, as well as continuity in the perdition of human rights in connection with the growing process to create a global bank and corporate influence on the shaping of international law.

It is an artificial island with adequate infrastructure, establishing itself as an independent state with its own government and economic policy. 1000 meters in height, as well as in diameter, the building has 48 floors with the maximum number of inhabitants of 52,096 persons.  It facilitates an internal sea port with ocean-going vessels dock, an airport passenger handling helicopters, a public garden, office spaces, administrative, governmental and academic centers, etc. The inner atrium of the building is surrounded by recreational and commercial services.
The planned locations for the Island include United Arab Emirates, Japan, Netherlands and the United States. on this urbanistic island it’s possible to create a whole new state with a powerful eco-system, own legislation and an advanced policy of economic structure.

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Παρασκευή 5 Αυγούστου 2011

an Art of Tower

Designed by James Law Cybertecture, the Tower is to be located in the heart of Mumbai, facilitating a wide range of businesses, including the India movie industry. To accentuate the inspirational references, the building facades are installed with LED screens for film and graphic projections.

The concept of the building is derived from the movie industry, assuming a futuristic appearance and dominating the city skyline. The metallic folding wall design of the lobby is inspired by imaginative sci-fi movie setting. The red LED light fills the lobby with energy. This vigorous form floating above the office floors on the top is an auditorium and restaurant space dedicated to the celebrities. The flexibility of the space can cater for activities such as premieres and private party.

The west facing facade of auditorium is installed with large glazing which offers the guests a chance to look at the breathtaking view of Mumbai.

Integration is an important factor in movie production and creative industries. The facade design of Parinee Tower is an integration of four different facade zones which offer diverse spatial experiences from both inside and outside. A unique combination of glazing, LED, louver and sky garden zones create a unique and iconic building profile.

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Πέμπτη 4 Αυγούστου 2011

Le Mannequin... as an Iconic

The competition challenge consisted in designing a 100 meters high tower-museum, containing exhibition areas of 20th century fashion history and becoming a landmark for Tokyo. For this purpose, the site was located at Omotesando Street, since this avenue gathers the world’s most important fashion houses, at their maximum magnificence. Cre8 Architecture’s proposal reacts to both the specific nature of the site, as well as the visual impact of the building.

Le Mannequin stands as a new landmark on this iconic promenade. The alabaster facade draped in a black concrete robe unveils itself to its audience – invites the visitor to cross a bottom lit cat-walk within a large entrance atrium space that respects the scale of the existing Omotesando Street buildings. The 20’s – 60’s exhibition spaces tumble over each other allowing glimpses into and from adjoining genres. The runway space articulates the building form between the 60’s and 70’s spaces and provides an exhilarating skyline to the street. The crimson spine – zipping the fabric of the building together allows visitors to meander between spaces whilst high speed 3D dynamic lifts whisk you up to the rooftop Japanese garden and sky bar.