Gretchen Albrecht has exhibited in New Zealand and internationally for more than 35 years. Recent work has appeared in Valencia, Spain as part of the exhibition Ultramarte at the Casa Museo Benlliure, and throughout New Zealand in the group exhibition Diaspora: Pluralism and Singularity and the survey exhibition Returning, initiated by the Dunedin Public Art Gallery.
R o s a - R a d i a n c e , 2009
140 x 250 cm, acrylic and oil on canvas.
Since the 1970s, Albrecht's work has evolved from the poured acrylic 'stained canvases' for which she first gained widespread recognition, into a pair of signature 'shaped-canvas' formats: the hemisphere (half circle) & the oval. These are shapes that Albrecht associates with particular meanings & states of mind. In the shaped-canvas paintings she has been producing since the early 1980s, resonant combinations of colour and geometry create images with a clear poetic impulse, in which references to landscape, family and the cosmos act as emotional points of departure.
R o s e G a r d e n ( F a n t i n L a t o u r ) , 2008
94 x 183 cm, acrylic and oil on canvas.
The past five years have seen Albrecht's artistic horizons broaden to encompass large-scale, stainless steel sculpture and have witnessed the inception of a new series of multi-panelled rectangular paintings featuring a rectangular 'threshold' motif. This motif has also been a key presence in recent oval works. In 2009, Albrecht began working on a new series of rectangular paintings, featuring oval-shaped vortices of colour and slender horizontal geometric figures . The first of these paintings were recently exhibited at Mark Hutchins Gallery, Wellington and Nadene Milne Gallery, Arrowtown.
R o s a - R a d i a n c e , 2009
140 x 250 cm, acrylic and oil on canvas.
Since the 1970s, Albrecht's work has evolved from the poured acrylic 'stained canvases' for which she first gained widespread recognition, into a pair of signature 'shaped-canvas' formats: the hemisphere (half circle) & the oval. These are shapes that Albrecht associates with particular meanings & states of mind. In the shaped-canvas paintings she has been producing since the early 1980s, resonant combinations of colour and geometry create images with a clear poetic impulse, in which references to landscape, family and the cosmos act as emotional points of departure.
R o s e G a r d e n ( F a n t i n L a t o u r ) , 2008
94 x 183 cm, acrylic and oil on canvas.
The past five years have seen Albrecht's artistic horizons broaden to encompass large-scale, stainless steel sculpture and have witnessed the inception of a new series of multi-panelled rectangular paintings featuring a rectangular 'threshold' motif. This motif has also been a key presence in recent oval works. In 2009, Albrecht began working on a new series of rectangular paintings, featuring oval-shaped vortices of colour and slender horizontal geometric figures . The first of these paintings were recently exhibited at Mark Hutchins Gallery, Wellington and Nadene Milne Gallery, Arrowtown.
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