in Gabon, in Libreville

Museums in Gabon
The Museum of Arts and Traditions at Libreville is a general interest museum. The National Museum of Gabon is also in Libreville.
Encyclopedia of the Nations

National Museum of Gabon (Gabon)

Telephone: +241 (0)17 614 56

The Museum of Arts and Traditions (Gabon)
Telephone: (+241) 76 14 56     
Email: museegabon@numibia.net

to Laminate Wood

The deforestation rate of a country describes the annual destruction of its natural forests. Confronted with this acute challenge this high-rise is a prototype for the usage of wood in a sustainable and innovative manner through the combination of research and tourism. The project introduces the novel technology of laminated wood construction as load-bearing material and as a space partitioning thick lattice.

Located in Coari, Brazil, at the heart of the Amazon forest, this conceptual tower would be constructed in several phases. The idea of the skyscraper is to create a sustainable skyscraper that allows tourists to explore the Amazon forest while creating global awareness of its alarming destruction rate.

First, conventional shipping containers are prefabricated and equipped according to the specific requirements and technical systems. Second, punctual foundations with minimal footprint are built on site, providing the basis for elevators and staircases. Afterwards, a thick-latticed three-dimensional framework consisting of prefabricated laminated titan-wood elements is erected on site and floor plates are attached into the exoskeleton.
 

to Reconnect Nature and Architecture

Here is another Kengo Kuma’s project that speaks of the continuous interest in reconnecting architecture with nature or, to quote the architect, the need “to recover the place”. Using architecture as a frame of nature, the project seems to echo a need for experiencing built space through its interaction with the elements and transformations affected by the passage of time. The faceted wall is populated with plants, creating an impression of two tectonic forces, the natural and the artificial, fighting for supremacy.

The multi-purpose building is located near the railway station in Odawara, Japan.The façade, achieved by using decayed styrene foam, encompasses the building, leaving the ground floor transparent and accessible. The first floor facilitates a clinic and pharmacy while the upper floors are used for offices. The planters are comprised of aluminium die-cast panels, made in monoblock casting. Each panel is slanted, and its surface appears to be organic, of which cast comes from decayed styrene foam. Equipment such as watering hose, air reservoir for ventilation and downpipes are installed behind the panels so that the façade can accommodate a comprehensive system for the building. The piping delivers rain water to the aluminum die-cast planters, keeping the whole structure organic and alive.

the Flowers of Hiroshima

Edita Morris started her literary career with short stories published in the Atlantic Monthly, Harper's Bazaar and other publications. In 1943 she published her first novel, My darling from the Lions. During the 1930s and until his death in 1943 in New York she shared much of her life with the Swedish painter Nils von Dardel. She figures on many of his paintings from 1930 onwards.

She is mostly known for her novel The Flowers of Hiroshima (1959). The novel was partly influenced by the experiences of her son, Ivan Morris, later a distinguished japanologist, as an intelligence officer in the U.S. Navy visiting Hiroshima immediately after the dropping of the atomic bomb on the city. The book has been translated into 39 languages. In 1978 she published Straitjacket: autobiography which was followed in 1983 by a second volume, Seventy Years' War, published in Swedish only under the title Sjuttioåriga kriget.

With her husband, who came from a wealthy family background, she founded a rest house in Hiroshima for victims of the bomb.After her death, the Edita and Ira Morris Hiroshima Foundation for Peace and Culture, usually known as the Hiroshima Foundation, was established.The purpose of the Foundation is to promote peace by supporting efforts in the cultural sphere to favor peace and reconciliation. The Foundation presents awards to women and men who contribute, in a cultural field, to fostering dialogue, understanding and peace in conflict areas. Edita died in Paris in 1988. She is buried, with her husband and her son, in the village of Nesles.
 

to Open Research

BIG + Paris-based architects OFF, engineers Buro Happold, consultants Michel Forgue and environmental engineer Franck Boutte is the winning team to design the new 15.000 m2 research centre for Sorbonne’s Scientific university Université Pierre et Marie Curie in Paris.
The new multidisciplinary research centre, Paris PARC, located between Jean Nouvel’s Institut du Monde Arabe and the open green park of the Jussieu Campus will become a significant addition to the campus, strengthening the international appeal and openness of the leading French University for Science and Medicine. The facility will bring together academic scholars and the business community, while re-connecting the university physically and visually with the city of Paris. The winning team was honored as the best design among proposals from MVRDV, Lipsky Rollet, Mario Cucinella and Peripherique.
Paris PARC is located in the visual axis of the Notre Dame Cathedral in a dense context of university buildings from different historical periods. BIG proposes a building geometry that adapts to the specific conditions of all adjoining sides, optimized for daylight, views and accessibility. The three-dimensional envelope retracts from the neighboring facades, opens up towards the square of Institut du Monde Arabe and the park, and folds into a publicly accessible rooftop landscape, resulting in an adapted sculptural building volume situated between the emblematic architectural monuments of the university.
“As a form of urban experiment the Paris PARC is the imprint of the pressures of its urban context. Wedged into a super dense context – in terms of space, public flows and architectural history – the PARC is conceived as a chain of reactions to the various external and internal forces acting upon it. Inflated to allow daylight and air to enter into the heart of the facility, compressed to ensure daylight and views for the neighboring classrooms and dormitories, lifted and decompressed to allow the public to enter from both plaza and park and finally tilted to reflect the spectacular view of the Paris skyline and the Notre Dame to the Parisians.” Bjarke Ingels, Founder, BIG.
A central canyon provides daylight and a visual connection between laboratories and offices. In the atrium a cascade of informal meeting spaces lead to the public rooftop terrace and faculty club. A public stair to the rooftop offers glimpses into the activities of the laboratories which are divided by transparent walls throughout the building to ensure visual connections between the working spaces. The upper levels have panoramic views towards the Notre Dame and the skyline of Paris.
“We propose a building that creates the optimum conditions for encounters and exchange among the academics and visitors of Paris PARC. Like a scientific incubator the new building will provide the physical environment for nurturing growth of cultures and sharing of ideas – through the internal mix of laboratories, research facilities and informal meeting spaces, and through a reunification with the public life of the city.” Andreas Klok Pedersen, Partner-in-Charge, BIG.
The Paris PARC becomes the interface between campus life and city life by reuniting the Jussieu Campus with the city of Paris. The iconic view of the Notre Dame Cathedral is brought into the daily life of the building through the large panoramic windows while the façade towards the entrance square is slightly tilted, hence, a mirrored image of the Cathedral becomes visible at eyelevel on the square, connecting the building to its iconic location.

a Parametric Analysis

The Devoid Tower, design by Daniel Caven at the Illinois Institute of Technology, Chicago, explores the passive systems that can be incorporated into high-rise design. The design is influenced by a set of design rules, and tested using parametric and environmental analysis.

The tower is composed of a central volume that is pierced by a void. The void’s placement and movement is designed around Chicago’s environmental conditions, i.e. wind speeds and sunlight. Energy and wind testing had shown that the void slows down wind speeds, giving the tower the option for natural ventilation through each of the floor-plates. Through the use of the void, the tower also allows for maximum sunlight onto floor plates as well as allowing for even more scenic views to the exterior.

Located in the River North area of Chicago, the tower is graced with a large of amount views (Loop, Lake Michigan, Chicago River), and pedestrian activity. The void extends to the entry way presenting a experiential view up through the tower and framing a view to the sky. On the interior users are greeted with an openness to the space and an open floor plate due to the dia-grid structure suspending the floor-plates. The tower’s form is derived and translated by the movement and form of the void.

The tower’s program includes: Retail space on the bottom three stories looking off towards the river/lake, as well as restaurant space incorporated into the walkway along the river. The larger portion of the tower is programmed for office space. The office floor-plates are arranged for an open plan and operable spaces. The top portion is a five star hotel with a sky lobby disconnecting the office space and hotel, as well as an observation deck near the top of the tower.
 

a Field of a Library

The project is a proposal by Italian architect Tommaso Casucci for the new library of the school of architecture, located at the limit of the old town of Florence. It is part of a renovation plan of a large area used until recent times as convent and later penitentiary. Pre-existing spaces are converted in archive, the new addition provide study areas, meeting spaces, auditorium, exhibition spaces in a continuous varying experience.

The project explore the emergent qualities derived from surfaces modulation in an intensive fields, aiming to equilibrium states of program, structure and function trough morphodynamical processes. Form, structure, function and decoration are emergent qualities of the same coherent system strictly related to his environment.

At a global scale the system explore how the modulation of isosurfaces, based on intensive field from site analysis data, can achieve highly differentiated spaces and performative structures. The research uses a generative methodology to test multiple solutions based on the same process from which was selected the one that represent the best compromise between structural performance, program and connections.

At finer scale, surfaces porosity is based on triply periodic minimal surfaces structures to define a performative interface of bioclimatic regulation where irradiation values on the surface are used to module light perception in the interior spaces of the library.

a Backdrop Of Learning

The School of the Arts in Singapore marries two distinct design tendencies: the existence of a safe and tranquil learning environment and the idea of stimulating communication with the public and wider arts community within the city. Two visually connected spaces encompass a public communication area, achieving a functional porosity that encourages interaction between different types of users. The two parts are called “the Backdrop” and “the Blank Canvas”.

The backdrop is the podium that contains a concert hall, drama theatre, black box theatre and several small informal performing spaces. It is envisioned as a heavy pedestal, a gargantuan mass of stone which has been carved out and chiseled to reveal volumes in various proportions. This exciting multi level space will be open to public as a tropical urban plaza, covered yet breezy.  Stairs and platforms create a diverse set of spaces where spontaneous and planned performances can occur.

The blank canvas, the secure upper stratum is where Making, Interpreting and Communicating happens between individuals and groups within the school. This level is controlled through a single point of access, yet is visually connected to the public areas below. The academic blocks are three long rectangular blocks with class rooms and studios. The rooms are designed in a module with adjustable end walls for flexibility. Other facilities such as gymnasium and resource library are suspended between these blocks. The pockets gardens are provided to link the blocks together and encourage interaction between students.

symbolically Towns

As the first joint project of Rapperswil and Jona in Switzerland, symbolically announcing the merging of the two towns, Janus Project transforms the existing museum premises into a publicly significant stopping point. The project was designed by :mlzd Architects. It won the competition for the renewal and restructuring of the Rapperswil-Jona Municipal Museum, held in 2007.

The project to put up the new building has been sensitively integrated in the historic town. The view from the north, which is important for the overall visual impression of the town, is to remain unchanged. The building fits discreetly into the background of the historic picture presented by the narrow town-centre streets. With the new terrain situation and the tasteful bronze facade, the building imposes a new emphasis on its immediate surroundings and can easily be read as the main entrance to a modern museum complex.

The shape of the new building has been developed out of the lateral façades of the old buildings. Its façade and roof have been designed in such a way that the existing windows and doors of the old buildings are not intersected anywhere.

The newly created rooms are extending the museum’s spectrum in terms of space, operations and the possibilities available to the curator. Many different rooms are also available in addition to the main one and are appropriate for a variety of exhibition purposes. The way that different types of natural light are brought into play adds another interesting dimension to the building in the course of the day and the succession of the seasons. Illumination of the building through its roof and the transmission of light from floor to floor deliberately create a stark internal contrast with the legacy buildings. Firstly, that makes it easier for people to find their way around the whole complex and, secondly, the new is clearly offset against the old, heightening awareness for the threshold to the latter. Stepping into the legacy buildings thus becomes an eventful journey in time, back into the past.

an Emerald Flower

With Love to S.M

Matsuo Basho (c. 1680)
Spring:

A hill without a name
Veiled in morning mist.

The beginning of autumn:
Sea and emerald paddy
Both the same green.

The winds of autumn
Blow: yet still green
The chestnut husks.

A flash of lightning:
Into the gloom
Goes the heron’s cry.